There are many ways one can be welcomed into New Orleans for Tales of the Cocktail, a conference about drinks and those who love them, and do not giggle--it's more serious and there's plenty of money to prove it. Chryss and I were going for our second time, after attending in 2012, so had our hopes high. George Eats promises to take you through a day-by-day account, as much as I can remember, and luckily there's a great app to help. (How did people drink and remember even where they lived before smart phones? The world is a much safer place.)
So, you can be welcomed by being on a plane with all sorts of potent potable poobahs, from Brandon and Misty from Santa Barbara's fine Good Lion (and soon Test Pilot), to an Angel's Envy rep sitting next to you, to a Bacardi rep who commandeers the cab to downtown a bunch of you are in and puts it on his expense account. Or you can be welcomed by the Hotel Monteleone, ground zero for TOTC and our home for the first few nights of the adventure (until the rates went up for the weekend). Either because we stayed once before or because we're ID'ed as media, we land a lovely room, with all of downriver New Orleans out our window.
That's even better than up-river, since all the ugly/tall/new/can't pretend it's another century buildings are out the other side of the hotel. Why yes that's a steam-powered paddle-wheeler our way. Since we flew versus the time changes, we're pretty much famished, having left LAX at 11 and now it's 6 by the time we're ensconced in the lovely room. The good news is we've got reservations for the mere blocks away Kingfish, that wisely bills itself Kitchen & Cocktails. For here are the cocktails we soon dove into:
Perhaps they did glow all the way down. That's a First Word on the left and an Amelia Earhart on the right. The Earhart is their clever take on an Aviation (get it?), featuring Ford's Gin, Lemon, Luxardo, Rothman's Crème de Violette, but also some fresh basil to give it yet more aromatics and drag the bar a bit closer to the farm, or at least the windowbox. Lovely. But it's the First Word that proved how simple cocktail magic can be at a mere four ingredients: Aperol, Green Chartreuse, Del Maguey Mezcal, and lime. What if the Negroni and Margarita had a baby in a rough Mexican back alley? Maybe, but that description makes the drink seem more a stunt, and not something deliciously integrated. My Tales was off and running with that one.
Of course, hungry at a place with too much goodness, we ate too much. If you ever go, you have to have the blackened barbecued shrimp and crispy grit cake that failed to survive long enough for a photo, plus our fingers where lusciously buttered when we sucked the heads (those kind of shrimp, yes). You can also get a panzanella with more greens in it than you'd expect in New Orleans. You'll start to hunger for those. Since greens usually means collards cooked way down with bacon to crisp them back up, which is fine but nothing close to tasting healthy.
And while I had a handsome hunk of a porkchop, with some of those greens and rice dirty in a way that made me feel appropriately sinful, too (you know, gluttony), Chryss ordered wild Louisiana black drum on the half shell tacos--a time a deconstructed dish seemed more designed for flavor than clever. See photo below. The groaning board brought to her plate also featured a slew of accoutrements--corn tortillas, collard green chimichurri, citrus slaw, green tomato chow chow, and Sriracha aioli--things I almost wanted to slather directly on myself they were so good.
We refused to even glimpse at the dessert menu.
After a bit of a walk, both as a way to hope some calories might burn and from our desire to be in New Orleans, where the spirits aren't just from alcohol--a town can too have a soul--we got back to the Monteleone and had to enjoy the Carousel Bar, old time haunt of literary giants like Tennessee Williams and William Faulkner and Truman Capote. So we hoped maybe some of their greatness might rub off on us. Alas, the actual carousel, and the bar does very very slowly revolve around the bartenders' pit, was too crowded, but a table at the window meant we got a show both inside and out as Tales-sters poured into town, their tattoos practically glistening with excitement (or sweat--this is The South in July, aka god's hint for humans to invent mint juleps, air conditioning, a drawl, and fainting couches).
We both had to View Carre, for as the menu says: "This signature cocktail of the famous Carousel Bar was first mixed by Walter Berferon in 1938." And it's a lovely elixir featuring Bulleit Rye Whiskey, Hennessey, sweet vermouth, Benedictine, Angostura & Peychaud’s Bitters. What's better as a way to say good night, and can't wait to see and drink you tomorrow? For here's the look you give thinking it all over:
Showing posts with label Hotel Monteleone. Show all posts
Showing posts with label Hotel Monteleone. Show all posts
Friday, August 5, 2016
Tuesday, February 9, 2016
Something to Fatten Your Tuesday
It's simple--New Orleans is the least American American city and that's why I love it so. Today's that thing called Mardi Gras, and if you toss me some cheap beads I'll show you a cocktail recipe. That kind of talk gets me thinking about previous potent potables I have poted (isn't that the verb form?), and leds me to the coolest bar of all-time. If you've been to New Orleans and drinks matter to you and you know Pat O'Brien's hurricanes are for people for whom 4 years of fratdom wasn't enough, then you go elsewhere, and first and foremost, you go for a merry-go-round ride. For in the Monteleone Hotel, you can sit at the Carousel Bar, where you end up spinning even before you've had a drink. It's at the Monteleone, where Faulkner, among others, used to sit deep in his cups, that you can get a Vieux Carré, which takes the basic Sazerac (not that a Sazerac is anything to sneeze at) and jiggers it up a notch. Turns out you can make a nifty variation at home, especially if you delve into Ted Haigh/Dr. Cocktail's indispensable Vintage Spirits & Forgotten Cocktails:
Vieux Carré
1 oz. rye whiskey (Old Overcoat is fine, but Costco sells Bulleit big and cheap)
1 oz. Cognac
1 oz. sweet vermouth
1/2 tsp. Benedictine
2 dashes Angostura bitters
2 dashed Peychaud's bitters
Shake over ice in cocktail shaker, pour into chilled up glass. Garnish with lemon twist.
Oh, and don't tell me you don't have the bitters, and no, you can't substitute and you can't leave them out. They do matter. You can buy a whole bunch at Still right downtown. Tell Jeremy George Eats sent you.
Thursday, August 9, 2012
The Blue Good Bye to You
Had to have one bayou-esque shot, even if this is just one of the lake-like spots in New Orleans City Park out by Bayou St. John. We spent a big chunk of this Sunday out here, since TOTC had pretty much wrapped up and we were in NO and wanted to see the sites, not just drink them. You can take the Canal St. streetcar out, even, which is good given the Charles St. one has a big chunk of its route closed for repairs, hence death marches like the day prior.
Day 5, Sunday, July 28
Weather:
It does not rain this day. We are sore afraid. And still sweat enough to make up for the lack of precipitation (which you can't spell without perspiration).
Quote o' the Day:
"Oh my, today the [Monteleone] lobby sounds of children, not barkeeps who look like the dream of the 1890s."
Event o' the Day:
We do nothing directly TOTC related this Sunday, as there are few events on the get-away day. We do not pass the Bloody Mary Bar. It is closed. We are lagniappe-less.We do enjoy the trip up to City Park, where just the park itself is gorgeous and then there's historic stuff like what was a casino and now, sadly, is a souvenir/snack shop but still has this great mural.
There's the Sydney and Walda Besthoff Sculpture Garden, with plenty to contemplate amidst a bucolic setting, so much so nature often makes its own comment on the art.
There's the New Orleans Museum of Art itself, that we felt we barely got into but still enjoyed the extensive glass, pottery, and ceramics collection--how cool so much that was just usable house stuffs are now art (and how impoverished so much of our own daily wares seem by comparison)--, plus the small Dario Robleto exhibit was fascinating--how much totemic power do our fetishized pop object possess? Does that transform the mundane into art? And you can get basil lemonade at the cafe at NOMA. Very nice. Plus we learn that only in New Orleans would they try to save their daily newspaper by suggesting you drink cocktails. This is so totally my kind of town.
Surprises o' the Day:
Even a place that borders on one of the most touristy spots in town, Jackson Square, can still be good and not a trap. Stanley just does food straight and good, with fine service and Bloodys with zesty pickled beans and okra (had to pay for the darn thing, but I'll get over it). Here's an eggs Benedict with a brilliant addition--fried oysters.
Perhaps surprise of the trip, this is as close as we got to any of the town's magnificent cemeteries. No doubt we'll be back.
This is actually a comment for Monday, but I'm not doing a Monday entry as it would be--"damn, planes are small and we have to be in 3 of them to get home." In addition to that, the food at the New Orleans airport is surprisingly blah. While in San Francisco you can get a tasty tuna panini and a giant Speakeasy Big Daddy IPA and feel much better about flying.
Best Food Non-TOTC Edition:
For dinner we went to the dopily named GW Fins that overcame that initial disadvantage to be a treat. I started with the seafood gumbo that was richly rouxed with seafood that wasn't mere over-cooked floats but shrimp and crab with flavor. Chryss had the lobster dumplings, more like potstickers but feathery light with a bonus boost from some lobster butter. Then for mains Chryss had the blackened swordfish as you've got to have something blackened in Louisiana, and they do it right, not searing the crap out of the fish but giving it a quick shot with some very good spices--it added, and wasn't meant to hide. I had to try their signature dish, Scalibut, which sounds like the name from a very bad musical about gossip on the Gloucester fishing fleet but is actually scallops sliced and "fused" around halibut as a sort of scallop-coat. The two textures and flavors play well together, indeed, and while it's a bit of a stunt, it's yummy, too--not that some lobster and tomato risotto hurts the plate any. Sorry this iPhone photo isn't so great. And we paired it all with a bottle of Tablas Creek Patelin White, to get us ready to come home.
Other Drinks Not Mentioned Above:
Since we had the time and didn't get there prior, we pre-gamed for dinner at Arnaud's French 75 [sorry, that link opens with music], directly across the street. This is another NOLA classic, richly woody with funny monkey statue lights and dressed up service and incredible cocktails. Somehow we passed up things like a Herbsaint Frappéthat was barrel aged and a N'Awlins Christmas in July Chatam Artillery Punch (that truly would punch you as it features tea. Catawha wine, rum, gin, Cognac, rye, orange and lemon juice, sugar, Benedictine, Champagne, and love). Instead we opted for The Dealers Have Chosen, with Chryss enjoying two "shaken and "refreshing" stimulants from the PDT Cocktail Book and I had two "stirred and boozy remedies from the Northstar Cocktail Book. Do we exactly recall what went into those cocktails? Alas, no. But they--all four--pleased perfectly, doing exactly what their descriptions suggested. My second, that I could swear he called a St. Martin (or should it be St. Marteen and Dutch?) was a mighty yet smooth blend of gin, Aperol, and Averna, and I wish I had one now. We also got a shrimp roll, as we were drinking and not eating and hadn't since Stanley, and didn't want to go all Kowalski on the refined crowd thanks to our liquored-up empty stomachs.
And then after dinner, after a last loop about the Quarter avoiding the sodden sadness that is Bourbon Street, we settled back in to the Monteleone and had last call (ours, not the bar's) at the Carousel, as it was easy to fit and nearly quiet and Faulkner and Williams drank there, so here's a corpse reviver #2 and a sidecar and a wish to be back very very soon. So many tales, and not nearly enough time to tipple them all.
Day 5, Sunday, July 28
Weather:
It does not rain this day. We are sore afraid. And still sweat enough to make up for the lack of precipitation (which you can't spell without perspiration).
Quote o' the Day:
"Oh my, today the [Monteleone] lobby sounds of children, not barkeeps who look like the dream of the 1890s."
Event o' the Day:
We do nothing directly TOTC related this Sunday, as there are few events on the get-away day. We do not pass the Bloody Mary Bar. It is closed. We are lagniappe-less.We do enjoy the trip up to City Park, where just the park itself is gorgeous and then there's historic stuff like what was a casino and now, sadly, is a souvenir/snack shop but still has this great mural.
There's the Sydney and Walda Besthoff Sculpture Garden, with plenty to contemplate amidst a bucolic setting, so much so nature often makes its own comment on the art.
There's the New Orleans Museum of Art itself, that we felt we barely got into but still enjoyed the extensive glass, pottery, and ceramics collection--how cool so much that was just usable house stuffs are now art (and how impoverished so much of our own daily wares seem by comparison)--, plus the small Dario Robleto exhibit was fascinating--how much totemic power do our fetishized pop object possess? Does that transform the mundane into art? And you can get basil lemonade at the cafe at NOMA. Very nice. Plus we learn that only in New Orleans would they try to save their daily newspaper by suggesting you drink cocktails. This is so totally my kind of town.
Surprises o' the Day:
Even a place that borders on one of the most touristy spots in town, Jackson Square, can still be good and not a trap. Stanley just does food straight and good, with fine service and Bloodys with zesty pickled beans and okra (had to pay for the darn thing, but I'll get over it). Here's an eggs Benedict with a brilliant addition--fried oysters.
Perhaps surprise of the trip, this is as close as we got to any of the town's magnificent cemeteries. No doubt we'll be back.
This is actually a comment for Monday, but I'm not doing a Monday entry as it would be--"damn, planes are small and we have to be in 3 of them to get home." In addition to that, the food at the New Orleans airport is surprisingly blah. While in San Francisco you can get a tasty tuna panini and a giant Speakeasy Big Daddy IPA and feel much better about flying.
Best Food Non-TOTC Edition:
For dinner we went to the dopily named GW Fins that overcame that initial disadvantage to be a treat. I started with the seafood gumbo that was richly rouxed with seafood that wasn't mere over-cooked floats but shrimp and crab with flavor. Chryss had the lobster dumplings, more like potstickers but feathery light with a bonus boost from some lobster butter. Then for mains Chryss had the blackened swordfish as you've got to have something blackened in Louisiana, and they do it right, not searing the crap out of the fish but giving it a quick shot with some very good spices--it added, and wasn't meant to hide. I had to try their signature dish, Scalibut, which sounds like the name from a very bad musical about gossip on the Gloucester fishing fleet but is actually scallops sliced and "fused" around halibut as a sort of scallop-coat. The two textures and flavors play well together, indeed, and while it's a bit of a stunt, it's yummy, too--not that some lobster and tomato risotto hurts the plate any. Sorry this iPhone photo isn't so great. And we paired it all with a bottle of Tablas Creek Patelin White, to get us ready to come home.
Other Drinks Not Mentioned Above:
Since we had the time and didn't get there prior, we pre-gamed for dinner at Arnaud's French 75 [sorry, that link opens with music], directly across the street. This is another NOLA classic, richly woody with funny monkey statue lights and dressed up service and incredible cocktails. Somehow we passed up things like a Herbsaint Frappéthat was barrel aged and a N'Awlins Christmas in July Chatam Artillery Punch (that truly would punch you as it features tea. Catawha wine, rum, gin, Cognac, rye, orange and lemon juice, sugar, Benedictine, Champagne, and love). Instead we opted for The Dealers Have Chosen, with Chryss enjoying two "shaken and "refreshing" stimulants from the PDT Cocktail Book and I had two "stirred and boozy remedies from the Northstar Cocktail Book. Do we exactly recall what went into those cocktails? Alas, no. But they--all four--pleased perfectly, doing exactly what their descriptions suggested. My second, that I could swear he called a St. Martin (or should it be St. Marteen and Dutch?) was a mighty yet smooth blend of gin, Aperol, and Averna, and I wish I had one now. We also got a shrimp roll, as we were drinking and not eating and hadn't since Stanley, and didn't want to go all Kowalski on the refined crowd thanks to our liquored-up empty stomachs.
And then after dinner, after a last loop about the Quarter avoiding the sodden sadness that is Bourbon Street, we settled back in to the Monteleone and had last call (ours, not the bar's) at the Carousel, as it was easy to fit and nearly quiet and Faulkner and Williams drank there, so here's a corpse reviver #2 and a sidecar and a wish to be back very very soon. So many tales, and not nearly enough time to tipple them all.
Tuesday, August 7, 2012
Bugs, Bitters, Bacardi
Perhaps things get blurry, what with a Bloody Mary Bar open every morning at the Monteleone--a feature it seems every hotel needs. But let's get right into day 3, and note there's no Best Food Non-TOTC Edition section for today's write up as what we had was mostly meh--perhaps the idea of Cafe du Monde is better than the lost in puffs of sugar reality? Or maybe it's because their coffee seriously burned my tongue (horrors!).
Day 3, Friday, July 27
Weather:
It's NOLA. It's sweating weather. And there's a good drenching with some lightning every day; this day it's all done by noon. Well, not the sweating.
Quote o' the Day:
"What did I drink that made my pee smell funny?"
Event o' the Day:
The Bacardi 150th Anniversary USBG Hand-Shaken Daiquiri Competition made me like daiquiris more than ever before, although I still hate having to type the trickily spelled name. This party featured some yummy tuna tacos, with the tortilla shells pleasantly fried, plus poor young things in red dresses that looked like tightly wound windowshades about to pull up--there was no way for the outfits to be flattering even on super-slender, non-Bacardi-consuming models. But those bat belts they wore were Adam West cool. And, as part of the event, Bittercube let 10 people at a time make their own bitters, preferably one that would work with a rum-based drink. At events like this, it's easy to become bossy/pushy--simply talk more quickly and louder than everyone else, and soon your herb/spice choices are part of the mix. Supposedly we'll get a mailed sample of the bitters we helped concoct soon. Can't wait. It's like cooking for your cocktail's pre-goodness.
And if I'm allowed a second event of the day, and it's my blog, so I'm allowed what I want to, it's our visit to the media Lagniappe Room. That means a little something extra, but as with most of TOTC, a little goes a long way, and this room was like walking into a minibar. Which was free. And maxi, or it was like that great episode of Lost in Space when the Robot grew giant and Will had to go inside to fix it, then get out before it shrunk to normal, not fit for a boy to be inside, size (tell me someone else has seen this and I didn't make it up?). Plus there were free bags to carry all your loot, and stirrers and matches and mixes and shirts and and posters and keychains and olives and cocktail cranberries posing as cherries and bitters bottles so tiny you could smuggle one out in your nostril and still have room to breathe. Here's what that looked like back in the room. Even better, it got back home after riding in our suitcase through 2 plane changes.
Surprises o' the Day:
You can jog in New Orleans in July and not die. You simply won't do it again.
I'll drink your green kale smoothie...as long as there's Tito's Vodka in it. Thanks, Vistamix!
The Audubon Butterfly Garden & Insectarium, or the ¡Insectaria! as we like to call it, is fun and not just for kids, although it's a crazy science turn on for the pre-teen set. You do not get to see the worm from the mezcal, but you get to see pretty much everything else. Do not go if you get the creppy-crawly hebbie-jeebies easily. Take photos of butterflies up close so they look like Son of Mothra.
Here's a semi-random picture of a huge tableful of oysters. Just to point out it was that kind of an event. Ile de Ré Fine Island Cognac is quite lovely, btw, but I'm not sure cognac goes with oysters.
There's something called crispy Armenian bread that's like a flatbread. What's no surprise is it's not so good burnt. (Sorry, Carmo, which tired very hard but didn't succeed quite enough.)
You can make seriously charged ice cream--say a Ramos Gin Fizz ice cream (now that egg does double duty) and mezcal chocolate ice cream. Or perhaps that was all an end of the day dream.
Best Food TOTC Edition:
We didn't take as much advantage as we should have of the media events in the Vieux Carre Room, high atop the Monteleone with views of the mighty Mississippi and most of NOLA. But this afternoon we hit the Taste of Italy Media Luncheon presented by the Spirit of Italy, which is evidently a typically handsome Italian guy telling you how special Italian spirits are while showing you slides of gorgeous Italian locations, all of which you want to visit on your next vacation, which has to be to Italy. We had cocktails made from Amaro Lucano, Luxardo, Distillerie Moccia, Distilleria Nardini, Pallini, Toschi, and Distilleria Varnelli--a lusciously vowelly mouthful of drinks.
But then there was an amazing buffet, too, starting with the ever present oysters, but also a lovely primavera pasta with fresh parmigiano grated atop, some redfish en croute, melon and prosciutto, etc. This was not your usual free spread, not in the least. We get to sit next to Amy Stewart from yesterday's presentation, too, and then ride in an elevator with Dale DeGroff, who hums his way to his floor. Oh, sorry, I'm dropping names, aren't I.
And as for a perfect bite, in the Angostura Bitters’ tasting room we enjoyed channa on bara (chickpeas on what else but fried dough--perhaps the savory island version of beignet?) at a Taste of Trinidad.
Other Drinks Consumed Not Mentioned Above:
Sure we tried the recently imported to the US Edinburgh gin (smooth), and some St. Germain drink we missed the name of (it's that kind of party, TOTC), and some Abita at Carmo to be New Orleans-esque, but what I really need to talk about was my time at the Craft Distillers Tasting where so much was good I would have denied me Satan right there on the spot for only something approaching the godhead could man these stills. At the Anchor Distilling table I told them I knew and loved the Junipero Gin so I didn't need to taste it and the guy's eyes lit up. "Well, try this," he says, pouring me something that smoked as it fell into my glass. OK, it didn't smoke, but it was lovely, a new hops-flavored spirit. Beer-loving me heartily approved. Speaking of the beer-spirit nexus, esteemed brewers from New Holland, Michigan are aging whiskey in old beer barrels, and that certainly works if it seems backwards (and they admit it). And then there's Corsair Distillery, that features nifty Reservoir Dogs inspired t-shirts and a wonderful range of liquor, from gins to a red absinthe (you do taste the hibiscus, plus red means it's not green like everyone else's) to a Ryemageddon that is sure to please any rye lover and if you're not one you will be by your second sip.
Thursday, August 2, 2012
The Muse Is Always Half Drunk In New Orleans
Tales of the Cocktail is a marathon, not a sprint, as one of the drink descriptions at Arnaud's French 75 put it, but I did have to write the sprint version for the Indy, the long but not long enough feature that will run August 9. In the meantime, I want to provide some daily snapshots to give you even more of a sense of what a festival honoring the cocktail, in New Orleans, means for one's mind and liver and deodorant.
Day 1, Wednesday, July 25
Weather:
Post-plane touchdown thunderstorm, Thor v. Zeus division. Even after that, hot and humid, which I'm pretty sure is human-controlled as a clever plot to keep you inside in air conditioning, eating and drinking.
Quote o' the Day:
"This is insane--I've only been here two hours and I already have icing on my arm."
Event o' the Day:
Welcome Reception at the Contemporary Arts Center sponsored by Absolut
You know there's this dream in your head of the perfect happening party, the kind even movies never even seem to nail properly, when the setting is magical, the drinks tasty, the people fun, and a row of models greet you as you enter? Well, that was this shindig. It snowed. Inside. The blue lighting added to that effect, but then there were all these separate bars to go to, themed sort of internationally, like It's a Drunk World After All, but without the insipid earworm of a song. (Instead, a DJ not quite getting people to dance, but perhaps that's just because we were all too f-ing cool.) You could get temp tattoos (not many takers, as most people there didn't have enough un-tatted territory on their bodies for one). You could pose with New Orleans appropriate costuming (masks, etc.) for an Absolut ad photo. You could get a t-shirt silk screened with one of 8 designs. You could drink, plenty--probably 20 different Absolut cocktails, including one made with dry ice, one featuring ice cubes carved into diamonds. One spot featured Dale DeGroff and Audrey Saunders side-by-side making you drinks like the king and queen of boozy prom. The waitress with the little grilled tuna cubes remembered you liked them and that one of you was prescatarian and kept hunting you out with a fresh tray. All the models went back to your room at the Monteleone afterward. Perhaps I made a part of this up.
Surprises o' the Day:
At a tasting called Better with Age, where I somehow avoided any jokes about my magnificence because of my midlife status, during a blind tasting I actually preferred the young Glenfiddich to the 15-year aged one, mostly because it packed more punch so stood out in a room of fantastic tequilas, whiskeys, and Armagnacs, and a bit because it was aged in old Solera barrels, giving it a pleasing Sherry push.
You can make a lovely sipping whiskey...from wheat. At least Bernheim Original Wheat Whiskey can.
Evan Williams does a single barrel whiskey that you can buy for $21. Maybe the best value tasted at TOTC.
You actually can make interesting cocktails with vodka. It's a challenge, but that's the fun, no?
Best Food, Non-TOTC Division:
Herbsaint. We'd do further homage to Chef Donald Link on the trip, but this was on the way back from the Absolut party so we decided to do a bit of the small plate action and everything was pitch perfect with prime ingredients. Simply the fries, with pimenton aioli not so simple, were divine. We also enjoyed Seared Louisiana Shrimp with Summer Squash and Chili Oil and Butter Poached Gulf Tuna with Criolla Sella Chili and Lemon--the seafood clearly the stars of each plate, but all the other ingredients whipping up spectacular supporting symphonies. We had a dessert, too, that the receipt calls a BB tart a la mode, but somehow we can't remember what the BB is--butter and bourbon is what I'm going to say.
Other Drinks* Consumed Not Covered in the Above:
Tito's Cherry-Vanilla Limeade, Jasmine-Spiked London Lemonade, a Sazerac at Herbsaint, a Vieux Carre at the Carousel Bar in the Monteleone, and an Abita Turbo Dog draft at Acme Oyster House, where we ate after our long, foodless plane flights out, a soft-shell crab po' boy and an oyster po' boy and some raw oysters, too (see below)
*Note, this really does just mean cocktails and beer, so liquor straight is left out of the equation.
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