Props to the Peeps at Bistro Amasa

Doesn't it seem like restaurants should have more fun? Yeah, it's a business in a shitty time for businesses. Yeah, we're often paying serious money--especially given the price for produce and all foodstuffs right now (thanks, Obama)--so it's easy to think patrons need a mature, nothing but respectful, nothing approaching jokey, luxe repast. But shy of fart jokes at the table, shouldn't we all just loosen up a bit?

The already delightful on "regular" days Bistro Amasa (see my article when they opened last fall) clearly has chosen to heed that more whimsical call, for on Friday, July 10 they offered up--in addition to the regular menu--A Totally Rad 90s Night. Witness Exhibit A up top, a special cocktail, Fruit Loops. The Boring Bar, led by Doug Boring who crafted Amasa's regular list of drinks, too, was whipping up these special tipples, with the team all bedecked in bucket caps like they would be extras in a music video when their shifts were over. So, every sip that rainbow ring of loops would knock you on the nose, ensuring your olfactory senses sang you a nostalgic tune sung by a toucan. Clever. And then the drink itself, clear as a Nordic fjord, yet lively with lemongrass, makrut lime, pixies juice (the ones from Ojai, not the band trying to find their mind). Somehow the liquor was a house gin and rum blend--obviously not a usual pairing but the two came to a lovely meeting of the angular and round, probably thanks to a cereal milk wash. These were cocktails that read like stunts but sure didn't drink like them. (Turns out this one was originally created by Doug Boring for executive chef Julian Martinez's wedding at Julian's request.)

There's the full special menu, ready to replenish any exhausted skateboarder with a parent's credit card in hand. We opted to do a bit of it and some of the regular menu, partially because one of us is pescatarian, and evidently that distinction wasn't invented 35 years ago (I kid). In addition to the 90s menu and the regular menu, there was also a special dish, a beet salad, which, come to think of it is a throwback a different 1990s dining scene (thanks, Alice Waters). But once again, the Amasa team brought something new and fresh. Those roasted beets were sliced just above paper thin, yet still vividly earthy. A hit of anchovy kicked up the sparse "dressing," pistachio gave it a needed crunch, the sprinkle of sprouts just enough green. Then the carrots were pickled, and even more finely sliced than the beets. Then some mighty fine burrata for creamy indulgence. Such balance on a plate.

I'm going to try to speed this post up or it will take you longer to read it than it took us to eat our meal. Burt behold the Cool Ranch Crudo, and if only Doritos came as quiveringly-fresh kampachi, with this elegant a buttermilk-lime cream. The serrano pepper slices soared this dish up the Scoville scale, but that's why god made handkerchiefs. And the brilliance of toasting masa to become crispy bits atop. Once more an item that could have been awfully awkward turned into a glorious, elegant swan.

Take the ingenuity the Cold Pizza. The Boring Bar admits it's a riff on a similarly named drink from lauded Lower East Side Manhattan spot Double Chicken Please, but two drinks in the line between borrowing and homage is a blurry one. Somehow it brings together blanco tequila, Parmigiano Reggiano, burnt toast (I wish I had a chance to ask how--I assume double strained out as you don't get a single carbon speck in the glass), tomato water, basil, honey, and egg white for that lovely foamy texture. Again, this one gets you on the nose, leaving you thinking, "Sure smells like 'za!" Then yes, you get the agave as you sip, but it's blended so well with all the other flavors and aromatics you just keep desiring more. For who doesn't want a second slice of pizza?

Maybe someone with this plate of Nuggets in front of them. Unlike Mickey D's, these kind of explode open when you puncture the crunch of the perfectly toasted crust (I assume panko?), revealing a tender surprise of confit chicken and the delightful, mild funk of duck liver mousse as a binder that would prefer to just taste great and not hold everything together too much. (They were offally good!) It was hard to choose which of the three rethunk sauces to dip each bite in, from a vinegar over sweet bbq, to a sweet 'n sour that deliciously twirled between those two poles, to a spiced honey mustard that would be the king of any condiment tray.

So I have been going on and on, haven't I. Here are the roasted carrots from the regular menu, all piled up like Lincoln Logs cosplaying Jenga. To double down on rootsy heartiness, there's a quick smear of parsnip puree underneath, giving the carrots' sweetness, even more prevalent from roasting, a proper contrasting note. The sauce is a sophisticated mix of brown butter miso and sherry, there are some plump, surprisingly in the best way pickled sultanas (don't tell me you don't like raisins), some hazelnuts to make up for everything else on the plate being so little of a chewing challenge, and again, a sprinkling of micro-greens giving you color and fresh pop. Simple, and not so, but simply delicious.

I'm still not sure where we fit dessert beyond our covetous for more eyes. We returned to the 90s menu for a tribute to Cinnamon Toast Crunch cereal in cheesecake form (and, yes, scattered on the plate too). I certainly never had, even in nostalgia's rosy glow, a breakfast as dessert this good. Both light yet substantial, as a good cheesecake should be, the crème fraîche quenelle offered more lift and just the right bit of puckering sour, and the cereal milk caramel we only wished there was more of, to slather onto every last bite.

All in all a sick, bangin', off the hook dinner. I'd call it the shit but that doesn't work for a fine meal, does it, no matter how much fun the kitchen, the dressed for the evening staff (sorry I didn't mention how wonderful everyone working there was, too!), and the fine bar surely seemed to have and share.

 

The Mousse That Baaa-ed: Black Sheep Is Back

Since closing down on September 4 at its longtime Ortega Street location, the Black Sheep has been reborn on Cota Street a mere three months later. In addition to the location change, it's now officially The Black Sheep, SB Brasserie, which is fitting as the new location was for two decades the home of one of Santa Barbara's legendary restaurants, Mousse Odile. Co-owner, GM, maitre-d Ruben Perez definitely hopes to invoke the French spirit of the spot, offering coq au vin and cassoulet and more, but with a definite Santa Barbara, contemporary twist. He found a great partner in the endeavor, chef Jake Reimer, who has done the high end executive chef for restaurant groups and the private chef gig, among others, but seems very happy to have fun with Santa Barbara produce and seafood.

We had the great fortune to be hosted for a culinary trip through permutations of the tasting menu they are already billing as "famous," which might not be conceited much as predictive. For everything we tasted rocked--vibrant flavors, thrilling freshness of both ingredients and concepts. So while I could go on and on about, say, the perfect steak frites, starting with the tender Entrecôte meat itself, and then a secret sauce that's got some anchovy in it but is otherwise vegetarian and rich and almost worth licking the plate to enjoy (luckily instead you have plenty of yummy handout fries), I won't.

I also won't talk about the reinvigorated creme brûlée, spanking the oft-tired dish back to life with a pinch of salt and what must be a fistful of Tahitian vanilla bean.

Nope, to focus, let's just talk about the three dishes that opened the meal and hit the table simultaneously. Above you see an essay in fishy contrasts, some lightly pickled sardines atop some sprouts atop some tuna you can't see, but it's confit and rich. Then there's a slice of baguette on the plate awash with a mustardy sauce. The contrasting textures and flavors kept your mouth alive to flavor's possibility.

Here's the evening's crudo--it's listed on the menu as d'jour, as it sort of has to be as it needs to be something just caught to sing. This one did a little aria, so might have crawled into the kitchen on its own. Well, if scallops crawled. Again, all the accents aren't just for show but push the dishing fascinating angles and richness without hiding the pleasing, starring salinity of the scallop.

And then, as a true Santa Barbara nod, here's uni with "dirty" rice, seaweed, and tobiko. Things get a bit soupy as you eat it, but with the rice it's kind of a wet porridge of big flavor delight. Here the accoutrements reel the urchin's assertiveness in just a tiny bit, which works with all the other vivid reminders of the sea in the bowl. It's a great example of lots of technique being brought to bear on something that seems simple. 

It's wonderful to have the Black Sheep back.

It's a Cinch to Want to Go to Finch & Fork

Many restaurants are taking the opportunity to come out of COVID (ok, let's pretend we are) with a reset, and no one has done that more seriously than Finch & Fork at the Canary Hotel. They've redone the room--say goodbye to the previous darker, wood, shuttered club feel and welcome lots of white, and sun, and video screens that run different modernist art prints. It's all very beach resort appropriate, if a bit generic, not that a dark, come-dine-in-my-library look is particularly novel, either.

The key is, you're going to be paying attention to the food and drink anyway. For as part of the reset, F&F has a new executive chef, Craig Riker, with a varied and storied resume (including Rustic Canyon, Patina, bassist for Deadsy) who locals will know from his time at plant-based Oliver's in Montecito. Now getting to play once again with any foodstuff he finds fascinating, Riker and his kitchen are hitting on all cylinders, doing what he claims is mom and grandma food, as read through his worldly travels as a touring musician. It's elevated comfort food, both because of his access to so much great produce and because of his skills. So imagine a deviled egg, and then a little raft of perfectly rendered pork belly atop, riding the wave of the creamy yolk. Now that's a bacon and egg bite.

We had the wonderful opportunity to taste through a good 60% of the dinner menu this week, and I'm not going to do a dish-by-dish recounting but do want to focus in on two items as exemplars of why you need to get yourself to F&F. And that's without talking about the three fine desserts (nothing like a banana cream pie style shake to awaken and appease your inner child), or the fine service that the charming Tim Thomas, Director of Food and Beverage, oversees, or the locally-focused beverage and cocktails list, put together by Santa Barbaran Jazz Moralez (how deliciously clever to come up with a Francesco Franceschi cocktail, of course botanical-forward, featuring green chartreuse, Fernet Branca, pineapple, lime, and chili threads for quite a kick). 

But then there's the hamachi crudo you get to see in the photo above (stolen from the F&F website, as lousy Blogger won't let me post my video) bathed in cucumber aquachile. A lesson in balance, this is. As flavorful as hamachi is, it's pretty darn delicate, so it's easy to have the amberjack swim away in a too powerful sauce or accompaniment. Not here. First, there's an itsy scoop of avo inside each swirled slice of sushi, its fat pushing the fat of the fish into yet more flavor. And that aquachile brings warmth more than heat, extending all the flavors with each taste. Those flavors include citrus to give the acid zip any dish needs, and then some jicama for just as much cooling sweetness as required. This could be a meal for me and I'd be happy.

Not that I wouldn't be happier with this scallop dish, too. Again, it's a dish--the components are meant to play well with each other (perhaps food is the only place anything does this anymore, alas). The scallops are scintillatingly seared so almost crispy, and just cooked to the center as you would hope. Then there's the Roman artichoke, shaved to only the tastiest parts, like a little thistle cone of delight. Or consider it the ice cream, as the cone is actually a wrap of Serrano ham, all porky-salty goodness. Add it up for a truly imaginative surf and turf. 

But then there's that risotto I would order all on its own. Calling out Acquerello as the brand of risotto isn't just for the mellifluous name--F&F serves you seven-year old rice because it cares and wants you to, too. And how bright and green it is, redolent of shallot and basil and Grana Padano and no doubt a bunch of great stock and sea salt. Fancy without any shmancy, homey without being homely.