Showing posts with label Good Lion. Show all posts
Showing posts with label Good Lion. Show all posts

Tuesday, August 6, 2024

Good Lion Hospitality Roars Through the 10-Year Mark

 


When the Good Lion opened in December 2014, it not only reimagined the cocktail bar for Santa Barbara, but it also signaled the dawn of a Central Coast mini-empire. As they aptly put it on the Good Lion Hospitality (GLH) website, they have “a vision of exciting, comfortable, and dynamic eating, living, and drinking spaces featuring world-class hospitality.” That vision and hospitality begins with couple Brandon and Misty Orman Ristaino, curious, clever compadres in class and taste.

If everything goes to plan (and all “trying to open a business in these parts” warnings must apply), by year’s end, GLH will include the bars Good Lion, Test Pilot, and Shaker Mill in Santa Barbara; an as-yet-unnamed project in the Montecito Inn; Strange Beast, Bank of Italy Cocktail Trust, and Jaguar Moon in Ventura; and the “bed-and-beverage” Petit Soleil in S.L.O.

Turns out expansion was always the plan.

Care to read the rest then do so at the Independent's site.

Saturday, June 1, 2024

The Good Lion's Summer Sensations

(photo credit: Lure Digital)

When the owner of an establishment insists the current seasonal menu is the best they've ever done, it's nearly impossible for one's marketing malarkey meter not to register bright red. Of course the latest is always best.

Turns out if Brandon Ristaino of The Good Lion makes such claims, you better listen--and drink--up. I had the great fortune to sit down with Brandon and his wife and business partner Misty this week to taste some of the 11 new drinks on the GL's warm weather 2024 menu that also celebrates their ten years alongside the Granada on State Street. And while I didn't sip all 11--my constitution is not that mighty, dear reader--I had some healthy swigs of five of them and the brilliance and range of what the bar is cranking out easily sums up their successes of the past decade. We cannot begin to express how lucky we are to have The Good Lion and the ever-growing hospitality empire Brandon and Misty are building, now from Ventura to San Luis Obispo. Plus they've been working on three new projects all opening within seven months (one that's right now off the record I'm ridiculously excited about--sorry, won't tell). "You go from a CPA meeting to a mezcal tasting to meeting with a city council member...," Brandon describes. "It gets tough on your body--you can get loopy after four hour in a row."

There's nothing loopy at all about the 10th anniversary special menu. First, it's visually delightful, offering a map of Santa Barbara as the cocktails are named after/inspired by many of our streets. (A lot of these trifolds are going home with patrons, no doubt.) Brandon runs a lot, the two love to urban hike, and if you stare at an Olive or Nopal Street sign long enough, in their business you're bound to get boozy ideas. Some might take a bit more imagination--Islay Street might be pronounced IS-lā in town thanks to the Spanish/Mexican influence, but to a mixologist, it's hard not to think of Scotland and the home of peaty single malt whisky, EYE-luh. 

That's how Ristaino and team got to the Islay St. Penicillin, famed for its Islay whiskey float that brings the delight of smoke to the relatively familiar cocktail. The basics of the drink--usually blended scotch, ginger, lemon, honey, and that float--get rethunk and expanded at GL, to the point when you read the list of ingredients on the menu--Bajan aged rum, pineapple, ginger, mole, apricot, añejo tequila, cognac, lemon, the Islay whisky float--it's easy to panic the result will be an over-complicated muddle. That simply doesn't happen at Good Lion, though. Somehow cocktails deepen and find new dimensions, in the way a cushion cut diamond draws the light, and your eye, into its brilliance. Such richness--Ristaino suggests the añejo adds a caramel note, almost liked a baked good. And what better with the fruit, the cognac. And then the whiff of smoke.

Or take Good Lion's advanced course version of the Boulevardier, the Bananapamu Street Boulevardier. The core cocktail is basically a Negroni with whisky standing in for the gin. Three ingredients, no muss, no fuss. Here's the list for the GL take: bourbon, house bitter blend, banana, macadamia, cacao, Italian vermouths, Demerara rum. What could appear to be too much instead of 1+1ing multiplies, finds ways to make each delicious delight exponential. Overtones and undertones. All the possible poles of flavor, like sour-sweet, boozy-fruity, balanced like a Wallenda* out for a wired walk. Ristaino calls it a more tropical take, which seems Santa Barbara appropriate (May Gray/June Gloom issues aside).

* You're allowed to date yourself when discussing cocktails.

There's something for every drinker here, as the list runs from aperitif to digestif, more or less, from a Garden Street Gimlet, fittingly an herbaceous blast of green that Ristaino compares to "a brunch in an English garden," to a Mission Street (Espresso) Martini I didn't try, but which offers coconut oil vodka, pineapple rum, and Cynar (artichoke, sure!) with the cold brew. Clever cross-marketers that they are, the list points to sister properties--the State Street Spritz (cachaca, gentian, and passionfruit among the ingredients dancing with the Prosecco) nods to Shaker Mill; the Helena Avenue Fix (Fassionola, vegan yogurt--Ristaino prefers to keep his bars dairy-free or all sorts of obvious reasons--whipped like a Ramos fizz) nods to Test Pilot; the Oak Street Margarita (there's even sherry in it) nods to Ventura's soon-to-open Jaguar Moon

Things can get nerdy, if no less downable. The Olive Street Martini has both an olive oil washed vodka and a gin, so edges into Vesper land, but then heads into terra incognita with a tomato essence that kicks off with a tomato oleo. Along with the French vermouth, there's a hit of balsamic vinegar. Think of it as a dirty martini that rolled in the classiest "trash." Ristaino's aide-de-camp Jonathan Jarrett was particularly excited when he might get his hands on pineapple tomatillo to garnish the drink. 

Simply put, the inventiveness never ends, but it also never chases fancy just to be different. The first measure of any of these drink is always pleasure. "We always want to be your local neighborhood bar," Misty says. And Brandon adds, "We want to provide a singular cocktail experience, and never have people be burned out by the cost or the lack of variety." 

And to think for this summer every drink gets to celebrate Santa Barbara too.

Friday, August 5, 2016

Sucking the Heads at Tales (TOTC 2016, Day 1)

There are many ways one can be welcomed into New Orleans for Tales of the Cocktail, a conference about drinks and those who love them, and do not giggle--it's more serious and there's plenty of money to prove it. Chryss and I were going for our second time, after attending in 2012, so had our hopes high. George Eats promises to take you through a day-by-day account, as much as I can remember, and luckily there's a great app to help. (How did people drink and remember even where they lived before smart phones? The world is a much safer place.)

So, you can be welcomed by being on a plane with all sorts of potent potable poobahs, from Brandon and Misty from Santa Barbara's fine Good Lion (and soon Test Pilot), to an Angel's Envy rep sitting next to you, to a Bacardi rep who commandeers the cab to downtown a bunch of you are in and puts it on his expense account. Or you can be welcomed by the Hotel Monteleone, ground zero for TOTC and our home for the first few nights of the adventure (until the rates went up for the weekend). Either because we stayed once before or because we're ID'ed as media, we land a lovely room, with all of downriver New Orleans out our window.


That's even better than up-river, since all the ugly/tall/new/can't pretend it's another century buildings are out the other side of the hotel. Why yes that's a steam-powered paddle-wheeler our way. Since we flew versus the time changes, we're pretty much famished, having left LAX at 11 and now it's 6 by the time we're ensconced in the lovely room. The good news is we've got reservations for the mere blocks away Kingfish, that wisely bills itself Kitchen & Cocktails. For here are the cocktails we soon dove into:


Perhaps they did glow all the way down. That's a First Word  on the left and an Amelia Earhart on the right. The Earhart is their clever take on an Aviation (get it?), featuring Ford's Gin, Lemon, Luxardo, Rothman's Crème de Violette, but also some fresh basil to give it yet more aromatics and drag the bar a bit closer to the farm, or at least the windowbox. Lovely. But it's the First Word that proved how simple cocktail magic can be at a mere four ingredients: Aperol, Green Chartreuse, Del Maguey Mezcal, and lime. What if the Negroni and Margarita had a baby in a rough Mexican back alley? Maybe, but that description makes the drink seem more a stunt, and not something deliciously integrated. My Tales was off and running with that one.

Of course, hungry at a place with too much goodness, we ate too much. If you ever go, you have to have the blackened barbecued shrimp and crispy grit cake that failed to survive long enough for a photo, plus our fingers where lusciously buttered when we sucked the heads (those kind of shrimp, yes). You can also get a panzanella with more greens in it than you'd expect in New Orleans. You'll start to hunger for those. Since greens usually means collards cooked way down with bacon to crisp them back up, which is fine but nothing close to tasting healthy.

And while I had a handsome hunk of a porkchop, with some of those greens and rice dirty in a way that made me feel appropriately sinful, too (you know, gluttony), Chryss ordered wild Louisiana black drum on the half shell tacos--a time a deconstructed dish seemed more designed for flavor than clever. See photo below. The groaning board brought to her plate also featured a slew of accoutrements--corn tortillas, collard green chimichurri, citrus slaw, green tomato chow chow, and Sriracha aioli--things I almost wanted to slather directly on myself they were so good.


We refused to even glimpse at the dessert menu.

After a bit of a walk, both as a way to hope some calories might burn and from our desire to be in New Orleans, where the spirits aren't just from alcohol--a town can too have a soul--we got back to the Monteleone and had to enjoy the Carousel Bar, old time haunt of literary giants like Tennessee Williams and William Faulkner and Truman Capote. So we hoped maybe some of their greatness might rub off on us. Alas, the actual carousel, and the bar does very very slowly revolve around the bartenders' pit, was too crowded, but a table at the window meant we got a show both inside and out as Tales-sters poured into town, their tattoos practically glistening with excitement (or sweat--this is The South in July, aka god's hint for humans to invent mint juleps, air conditioning, a drawl, and fainting couches).


We both had to View Carre, for as the menu says: "This signature cocktail of the famous Carousel Bar was first mixed by Walter Berferon in 1938." And it's a lovely elixir featuring Bulleit Rye Whiskey, Hennessey, sweet vermouth, Benedictine, Angostura & Peychaud’s Bitters. What's better as a way to say good night, and can't wait to see and drink you tomorrow? For here's the look you give thinking it all over:



Thursday, April 21, 2016

A Rosé Cocktail Will Drink as Sweet


Trying to do things with one hand behind your back is tricky, sure, but sometimes it means you get awfully clever with your free hand and do something wonderful. That’s the way to consider the challenges facing The Good Lion as they develop cocktails for the Vintners Festival Grand Tasting on Saturday, April 23. The Good Lion will be serving up drinks in the Connoisseurs Club section of the event (where Industrial Eats will be too, as if you need more incentive).

But these won’t be just any drinks. First, the event only has a beer and wine license, so they can’t use any hard alcohol. Second, while the previous three times they’ve had this gig they worked with Santa Barbara area bubbly – a relatively common ingredient for many cocktails – this time it was suggested they try to make drinks with rosé.

In a recent phone call Brandon Ristaino, owner of The Good Lion, began by saying he’d just finished reading Spritz: Italy’s Most Iconic Aperitivo Cocktail, and “I was all juiced up on aperitif cocktails. We’ve always liked using sherry, for example. But this was challenging: do you stir it or shake it or float it? We decided to shake it. We’ll use short shakes; it takes up some of the room ice would, so we consider it a flavored dilutant.”

The two cocktails, then, will be the Papaya King, made with papaya, Santa Barbara county rosé, Cochi Americano, orange bitters, lemon, and black pepper and the Strawberry Fields Forever, made with strawberry, Santa Barbara county rosé reduction, Lillet rosé aperitif, lime, vanilla, and soda.

Ristaino talks about the involved research process coming up with new drinks, including running through flavor bibles well before any liquids get mixed together. In this case, “the melon notes in rosé pair well with tropical fruits, so that’s how we got to papaya.”

He’s also had papaya on the brain, for he’s working on a new project he hopes will open early summer in Santa Barbara’s Funk Zone that will have a more tropical/Caribbean flavor to it than The Good Lion. “That was tricky, as we like to source locally,” he explains, “but then we found these dudes in Carpinteria with a big greenhouse growing passion fruit and papaya and soon bananas.”

The strawberry-centered drink was even easier, as rosés often have strawberry notes. Do be prepared for some interesting possible variations if you try one of the drinks twice. “We’re going to be working with a mix-and-match case of rosés,” he points out. So while he and his team will try to decide as they open which wine profile – and remember Santa Barbara rosés are made from varietals ranging from Pinot noir to Mourvedre – matches best for which drink (the Strawberry Fields will tend to get the richer rosés), consistency might not be easy.

Ristaino is looking forward to the event, as such appearances are The Good Lion’s marketing. “Rather than spend thousands on PR I’d rather do something more organic and get drinks in people’s hands and meet them,” he insists. So stop by and do just that.

Wednesday, May 6, 2015

Lessons from the Santa Barbara Vintners Festival

Of course wine festivals are mostly about marketing, but that doesn't mean attendees can't learn a bunch amidst the revelry. That was clear at the recent Santa Barbara Vintners Food Festival and Grand Tasting held in Buellton on April 25. First, labeling it partially as a food festival wasn't merely a way to get the emphasis off alcohol consumption, in a hope to make a less mad MADD. It was also deliciously surprising to have good eats on hand. To offset the over 110 wineries pouring, there were 38 food purveyors of all sorts, including tasty start-up Cultured and Saucy sharing its probiotic dips and sauces, alongside Santa Ynez Valley stalwarts like the Red Barn, Hitching Post II, and the Ballard Inn & Restaurant.

Want to read the rest then do so at KCET's Food Blog.

Tuesday, December 9, 2014

The Good Lion Roars into Town

If learning that The Good Lion takes its name from a Hemingway children’s story about a lion that prefers scampi and Negronis instead of fresh kill doesn’t charm you, the bar itself certainly will. Opened last month by recently transplanted Angelenos Brandon and Misty Ristaino inside the Granada building where Marquee used to be, The Good Lion (1212 State St., (310) 770-0899, facebook.com/TheGoodLionBar) exudes old-world charm and ease. But it’s also “Santa Barbara market fresh and seasonal,” said Brandon, adding, “what an amazing market town this is.”

Want to read the rest then do so at the Independent's site.