A Review of Amy Rigby's "Girl to Country: A Memoir"

 

Singer-songwriter Amy Rigby sets up the arc of her moving, charming, outsider-insider’s memoir Girl to Country poignantly in the prologue, when she considers what she might say to explain herself to Hazel Smith, who she calls “the Grande Dame of Music City,” while cheekily describing her “like…one of the Gabor sisters, if they’d been from Kentucky instead of Budapest.”

“I just want to earn a living!” I wanted to shout. “But I also want to be AN ARTIST—to create work that no one else has ever thought of doing. In addition, I’d like L-O-V-E and/or S-E-X, to live in a decent home, and to raise a happy child to adulthood. All while looking cool. That isn’t too much to ask, is it? IS IT?”

When the self-proclaimed Dean of American Rock Critics Robert Christgau reviewed Rigby’s solo debut Diary of a Mod Housewife in 1996, giving the album an A and eventually naming it his second favorite disc of the year, he wrote, “Personalizing the political for a bohemia that coexists oh so neatly with structural underemployment, thinking harder about marriage than a dozen Nashville homilizers,” he had no idea he was predicting Rigby’s next career move. For she would leave the crudy-but-cosy comforts of New York (read all about her exciting exploits there in Rigby’s first memoir, 2019’s Girl to City) for Nashville, hoping her gimlet-eyed, catchy tunes might land her a publishing deal, and therefore steady money.

Care to read the rest than do so at California Review of Books.

Props to the Peeps at Bistro Amasa

Doesn't it seem like restaurants should have more fun? Yeah, it's a business in a shitty time for businesses. Yeah, we're often paying serious money--especially given the price for produce and all foodstuffs right now (thanks, Obama)--so it's easy to think patrons need a mature, nothing but respectful, nothing approaching jokey, luxe repast. But shy of fart jokes at the table, shouldn't we all just loosen up a bit?

The already delightful on "regular" days Bistro Amasa (see my article when they opened last fall) clearly has chosen to heed that more whimsical call, for on Friday, July 10 they offered up--in addition to the regular menu--A Totally Rad 90s Night. Witness Exhibit A up top, a special cocktail, Fruit Loops. The Boring Bar, led by Doug Boring who crafted Amasa's regular list of drinks, too, was whipping up these special tipples, with the team all bedecked in bucket caps like they would be extras in a music video when their shifts were over. So, every sip that rainbow ring of loops would knock you on the nose, ensuring your olfactory senses sang you a nostalgic tune sung by a toucan. Clever. And then the drink itself, clear as a Nordic fjord, yet lively with lemongrass, makrut lime, pixies juice (the ones from Ojai, not the band trying to find their mind). Somehow the liquor was a house gin and rum blend--obviously not a usual pairing but the two came to a lovely meeting of the angular and round, probably thanks to a cereal milk wash. These were cocktails that read like stunts but sure didn't drink like them. (Turns out this one was originally created by Doug Boring for executive chef Julian Martinez's wedding at Julian's request.)

There's the full special menu, ready to replenish any exhausted skateboarder with a parent's credit card in hand. We opted to do a bit of it and some of the regular menu, partially because one of us is pescatarian, and evidently that distinction wasn't invented 35 years ago (I kid). In addition to the 90s menu and the regular menu, there was also a special dish, a beet salad, which, come to think of it is a throwback a different 1990s dining scene (thanks, Alice Waters). But once again, the Amasa team brought something new and fresh. Those roasted beets were sliced just above paper thin, yet still vividly earthy. A hit of anchovy kicked up the sparse "dressing," pistachio gave it a needed crunch, the sprinkle of sprouts just enough green. Then the carrots were pickled, and even more finely sliced than the beets. Then some mighty fine burrata for creamy indulgence. Such balance on a plate.

I'm going to try to speed this post up or it will take you longer to read it than it took us to eat our meal. Burt behold the Cool Ranch Crudo, and if only Doritos came as quiveringly-fresh kampachi, with this elegant a buttermilk-lime cream. The serrano pepper slices soared this dish up the Scoville scale, but that's why god made handkerchiefs. And the brilliance of toasting masa to become crispy bits atop. Once more an item that could have been awfully awkward turned into a glorious, elegant swan.

Take the ingenuity the Cold Pizza. The Boring Bar admits it's a riff on a similarly named drink from lauded Lower East Side Manhattan spot Double Chicken Please, but two drinks in the line between borrowing and homage is a blurry one. Somehow it brings together blanco tequila, Parmigiano Reggiano, burnt toast (I wish I had a chance to ask how--I assume double strained out as you don't get a single carbon speck in the glass), tomato water, basil, honey, and egg white for that lovely foamy texture. Again, this one gets you on the nose, leaving you thinking, "Sure smells like 'za!" Then yes, you get the agave as you sip, but it's blended so well with all the other flavors and aromatics you just keep desiring more. For who doesn't want a second slice of pizza?

Maybe someone with this plate of Nuggets in front of them. Unlike Mickey D's, these kind of explode open when you puncture the crunch of the perfectly toasted crust (I assume panko?), revealing a tender surprise of confit chicken and the delightful, mild funk of duck liver mousse as a binder that would prefer to just taste great and not hold everything together too much. (They were offally good!) It was hard to choose which of the three rethunk sauces to dip each bite in, from a vinegar over sweet bbq, to a sweet 'n sour that deliciously twirled between those two poles, to a spiced honey mustard that would be the king of any condiment tray.

So I have been going on and on, haven't I. Here are the roasted carrots from the regular menu, all piled up like Lincoln Logs cosplaying Jenga. To double down on rootsy heartiness, there's a quick smear of parsnip puree underneath, giving the carrots' sweetness, even more prevalent from roasting, a proper contrasting note. The sauce is a sophisticated mix of brown butter miso and sherry, there are some plump, surprisingly in the best way pickled sultanas (don't tell me you don't like raisins), some hazelnuts to make up for everything else on the plate being so little of a chewing challenge, and again, a sprinkling of micro-greens giving you color and fresh pop. Simple, and not so, but simply delicious.

I'm still not sure where we fit dessert beyond our covetous for more eyes. We returned to the 90s menu for a tribute to Cinnamon Toast Crunch cereal in cheesecake form (and, yes, scattered on the plate too). I certainly never had, even in nostalgia's rosy glow, a breakfast as dessert this good. Both light yet substantial, as a good cheesecake should be, the crème fraîche quenelle offered more lift and just the right bit of puckering sour, and the cereal milk caramel we only wished there was more of, to slather onto every last bite.

All in all a sick, bangin', off the hook dinner. I'd call it the shit but that doesn't work for a fine meal, does it, no matter how much fun the kitchen, the dressed for the evening staff (sorry I didn't mention how wonderful everyone working there was, too!), and the fine bar surely seemed to have and share.

 

It's Easy to SVR FLVR!

NOTE posted 7-8-26: I guess when you get samples in May, write about them immediately! Sad news: It sounds like Untitled Art is no more. Oh, well.

Let's put it this way, what Untitled Art's line of non-alcoholic beerish (more on the need for the -ish soon) pours, FLVR!, lacks in vowels it makes up for in...well, you can probably guess. I was lucky enough to get shipped a couple of taster six packs to see what's up with the product line that used to be called NON (as in non-alcoholic), and am pleased to report deliciousness on all fronts. And we're talking diverse fronts--sure, there's a West Coast-Style IPA and a Juicy IPA to make the never-out-of-fashion hopheads happy, but then there's a Chocolate Dark Brew, an Italian-Style Pils ("style" might seem to be adding up as a hedge word but I promise it's not in the glass), a Mango Dragonfruit Sour, and a Grapefruit Radler.

Those two IPAs are certainly IPAealing, the West Coast doing a bit of the dank thing, the New England, uh, I mean Juicy, giving the squeeze of citrus. So you get what you'd expect, which is just what you want, as the less successful low-abv beers often don't seem to achieve their style at all, hoping to bamboozle you in a wash of bubbles and foam. I'd put them both up with the ever reigning king of NA's, Athletic, to the point I should probably do a side-by-side to decide who would win out.

The Pils also delivers that nifty mix of malt and hops levity you want in such a beer. It's supposed to be something you can suck down, and enjoy, while doing yard work on a summer's day, even if that yard work is reading in a hammock, not mowing the back 40. And it is. The Chocolate Dark Brew hits you with cocoa the moment you pop the can, and is surprisingly complex for an NA, kind of "chewy" in a good way, even if it might lack the lingering finish a stout with some alcohol can. Think of it as an after dessert drink that won't make you sleepy.

And then there are the-ish pours, and I don't sling that suffix as a slight in the, uh, slightest. Both the fruity offerings are less beer-like than just tasty, with the fruit being featured dominating the flavor profile and the hops gently raising its hand demurely in the distance. The Mango Dragonfruit takes you straight to somewhere tropical--what a fine Maui poolside pour it would be--while the Grapefruit Radler does that cool "I quench you as I make you thirsty" thing that isn't an issue because you could zip through a six pack and still drive home (if you were sure to hit the head before the drive--that'd be a lot of liquid, your bladder mileage might vary). 

On a day when the Los Angeles Times' lead guest editorial (subscription required, so the ideas shouldn't be that life-threatening) asserts "alcohol should be marginalized like smoking," it's easy to be left fuming if you feel most evenings tend to call for a potent potable or two, especially in our current beleaguered times of Trumpiness. What's coming-out of Wisconsin from Untitled Art can help you scratch that itch without pouring any alcohol on it, so to speak. So here's a huge HRY!* to FLVR! 

*If the sometimes Y rule is in play, please shorten that to HR!, even if that makes it sound like I'm rooting for home runs (that's ok) or Human Resources, the suck-ups whose job it is to allow the bosses to do whatever they want to the employees and give it the veneer of "fairness." 

So let's just say HOORAY! then.

Sandwich Week 2026: Cristino's and Etty's

 It's Sandwich Week 2026 over at the Santa Barbara Independent. That means over 50 sandos on special at 9 bucks per. I had the good fortune to sample and write about two--at Cristino's and Etty's. Highly recommend both!

The Chanticlair Crows Three Concepts

 Among its many wonders, The Chanticlair, opening on West De la Guerra Street, brings two acclaimed chefs together in one kitchen, offers three different concepts in uniquely and charmingly designed spaces, but more than anything, it is rooted in a true market menu bursting with surprises. White pineapple guava. Chinotto tangerines. Exotic shelling beans. Sikkim cucumbers. White blueberries. Chilacayote squash, roasted over pecan wood, served aside a stuffed squash blossom, and kicked up with mole amarillo and sprouting pepita crujido.

During my interview with chefs Jeremy Tummel and Jake Reimer, Tummel disappears out the kitchen’s door only to return with a few blackberries plus basil growing out back so pungent you smell it before the door shuts. “It’s Greek columnar basil,” he says, handing me a dime-sized leaf of the exotic herb so I may join in the munching. It hits with Wonka-big basil flavor. For reference points, Reimer talks about his grandfather’s garden, Tummel his mom’s. “This is stuff not sitting in a box or refrigerator,” Reimer says, after running through a list of purveyors —Tom Shepherd, Milliken, Earthtrine, Garden of…, Tutti Frutti — they will work with when items can’t come from just beyond the kitchen. “You’re going to taste the difference,” they promise.

Care to read the rest then do so at the Independent.

Note: that photo above is mine, so not of the highest quality, unlike the amazing food--we got to eat there after I posted my story and everything blew us away, including this duo of lemon cucumber gazpacho with fresh English shelling peas and Aleppo and a SB uni parfait (with corn chowder).

A Review of Ted Geltner's "Flagrant, Destructive Gestures: A Biography of Denis Johnson"

Is it possible to feel sad considering the life of someone who authored nine novels (one a winner of the National Book Award), a novella, two books of short stories, three collections of poetry, two collections of plays, and one book of reportage? That’s a damn good run for anyone, let alone someone gone at the relatively young age of 67. Still, it’s hard not to look at the life of Denis Johnson and lament.

Clearly his biographer Ted Geltner recognizes that—just check out the book’s title. Geltner, a professor of journalism at Valdosta State University, remains true to his reporter’s roots throughout, digging up vivid chestnuts of facts that illuminate Johnson’s troubled yet also uniquely charmed life. We find out who he did acid with in high school, which real life members of the Iowa City demi monde are the sources for which fictional characters in his work, get a where-are-they-now? coda for the family that inspired his classic story “Car Crash While Hitchhiking.”

Care to read the rest then do so at the California Review of Books.

Review also posted at the Santa Barbara Independent on July 7, 2026.

Goleta’s Beloved ‘Third Place’ Celebrates a Decade of Brewing Up Fun

Interviewing Reno King, brewer (or “Hops Wrangler” as they like to put it), and Tami Snow, media maven (or “The Storyteller”), at the bar in the original Goleta location of Draughtsmen Aleworks (DA) a few weeks out from their 10th anniversary celebration, it’s easy to see how they made it to a decade in business. Every customer moseying up for a pint stops to chat. Names are known. Jokes are shared. As King puts it, “We ended up a community center rather than a brewery.”

That’s, of course, overstating the case a bit, as King and crew have offered up more than 90 different beers since DA opened in 2016, currently pumping out 750 barrels a year. Draughtsmen has locations in downtown Santa Barbara at Mosaic Locale and in Solvang, plus pours such as their core IPA Awesome Possum are served in fine establishments such as The Daisy.

Care to read the rest then do so at the Independent's site.