Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

Thursday, October 16, 2025

A Review of "The Hounding" by Xenobe Purvis


 Xenobe Purvis can write spooky, but then there are all sorts of haunts, aren’t there? Her debut novel The Hounding, set during the 18th-century in Little Nettlebed astride the Thames River—but far away, in distance and in thought, from London—concerns the Mansfield sisters, orphaned, insular, feminine threats, particularly to the small-minded males of the village. The book gives its plot culmination away in its first line (in what reads like a dark version of Johnny Carson’s old Carnac routine): “The girls, the infernal heat, a fresh-dead body.” But the book never surrenders its air of mystery—do the Mansfields have the power to transform into dogs? Then again, its theme is sussing out the line between what’s human and humane. (Note we are piss poor at the latter.)

Care to read the rest then do so at the California Review of Books.

Review also posted at the Santa Barbara Independent on October 31, 2025.

Wednesday, January 29, 2025

A Review of Neko Case's "The Harder I Fight the More I Love You"

 

Given she’s enchanted by fairy tales, it’s only fitting that Neko Case’s memoir The Harder I Fight the More I Love You leaves its readers following breadcrumbs tossed in a dark forest. Sure, many of the typical milestones of the rock ’n’ roll book get visited—childhood record purchases (Best of Blondie, “We’ve Got the Beat” 45), the agony and ecstasy of the road (on bad sound systems: “Your voice sounds like it’s being piped through a thrift store whale’s carcass into a pirate’s wet diaper. Ahoy, bitch!”), the tease and sleaze of a failed major label signing. But don’t come to the book expecting an album blow-by-blow or much dirt or gossip. This is really a book about art—how and why we make it and need it. That involves digging, a care to ever reconsider the past, a drive to outrun whatever hunts and haunts us, from the Green River Killer to familial trauma. And a hope to be fiercely feminist—at one point she rightfully laments, “How do women have any space left inside us with all the shit we swallow?”

Care to read the rest then do so at the California Review of Books.

Review also posted at the Santa Barbara Independent on February 5, 2025.